If you will be running only software instruments that you play from a MIDI controller, you may not need any analog inputs at all and only one or two outputs. The number of audio inputs and outputs you need on your interface is determined by the performing rig you want to use. (Camelot can just as easily work with interfaces having digital I/O, but most live performance applications end up involving analog I/O, so that is what we will focus on in this tutorial.) Camelot is perfectly happy to work with an interface that has just two analog inputs and two outputs, or with interfaces sporting numerous inputs and outputs. The place to start with audio I/O is, naturally, with your audio interface. You will get the most out of this tutorial if you approach it with some basic understanding of how Camelot is set up, information you can get from these tutorials: In this tutorial, we will examine the audio input and output features of Camelot, including basic configuration and where audio input and output are used in Camelot. One of Camelot’s most exciting features is that it deals with both MIDI and audio.
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